July 6th, 2024

He might have been the first jazz star

Ford Dabney, a talented African American composer, missed jazz stardom due to timing and genre evolution. Despite his contributions to early jazz, he faded into obscurity, overshadowed by peers like Duke Ellington.

Read original articleLink Icon
He might have been the first jazz star

Ford Dabney, an African American composer born in 1883, missed the opportunity to become a jazz star due to timing and circumstances. Despite his talent and creativity in ragtime music, Dabney's career was marked by missed opportunities and wrong bets on the future. He struggled to adapt to the changing music scene, sticking to ragtime and society dancing while jazz emerged as the new commercial style. Dabney's recordings, although showcasing his understanding of jazz elements, failed to embrace the improvisational nature of the genre. His reluctance to fully embrace jazz led to his obscurity in music history, overshadowed by contemporaries like Duke Ellington. Despite his contributions to early jazz and society dance music, Dabney's legacy faded over time. Recently, a double album featuring 48 tracks by Dabney's band has been released, shedding light on his musical prowess and offering a chance for listeners to appreciate his work from 1917 to 1922.

Link Icon 8 comments
By @xeeeeeeeeeeenu - 8 months
I've never heard of him, and I'm glad to see an article that calls someone (or something) "forgotten", where it's not an exaggeration for dramatic effect.

Sure, Ford Dabney does have a Wikipedia article and he appears in various music databases, but otherwise, well, I tried searching the internet and it's a wasteland. His songs get less than 1000 views each on YouTube and there seems to be hardly any mention of him on social media.

By @yakito - 8 months
For anyone interested in the origins of jazz I recommend the book Early Jazz: Its Roots and Musical Development by Schuller. It covers mostly 1920-1930 and a bit of its origins is west Africa.
By @underlipton - 8 months
Tangential, but I was watching A Capitol Fourth this past Thursday, and near the end of the traditional performance of Gershwin's Rhapsody in Blue, I was reminded how much I'd like to see Joplin (one of the other fathers of popular American music, and the father of a sadly-abortive branch of "serious" American music) celebrated in the same vein. Whoever decided to use Joplin's "Solace"[1][2] as the loading screen theme for Bioshock: Infinite is a genius, because... wow, what a piece.

Unfortunately, rags have been misrepresented as an almost naive form over the years, instead of the foundational element (ripe for rediscovery, experimentation, and innovation) of American musical composition that it is. Looks like Dabney was another casualty of this oversight.

[1]https://www.youtube.com/watch?v=38ms-WVWI9w (B:I's modified version)

[2]https://www.youtube.com/watch?v=oLNORRrRyMQ (Full version)

By @Pine_Mushroom - 8 months
Great version of his tune 'Shine' performed by Dick Hyman: https://www.youtube.com/watch?v=u1nAPI23iRQ
By @tonystride - 8 months
As a pianist I love the ragtime era. It’s full of low hanging fruit like this that’s just waiting to be reawakened. The coolest thing I’ve noticed is how timeless these pieces can be via live performance. Tbh recorded ragtime can be meh, but there’s something truly captivating about watching the velocity of that left hand stride irl.

This was a pleasant surprise to see on HN, I’m looking forward to adding some of these pieces to my repertoire

By @wormius - 8 months
Me, thinking "who?"

Getting yelled at by the Tim Heidecker in my brain "FORD DABNEY! DUH! FORD DABNEY! COME ON!"

If only Ford Dabney was on the Colgate Comedy Hour.