When the CIA turned writers into operatives
The podcast "Not All Propaganda Is Art" explores Cold War writers unwittingly involved in C.I.A. propaganda efforts. Benjamen Walker sheds light on how cultural figures were manipulated for political ends.
Read original articleThe podcast "Not All Propaganda Is Art" by Benjamen Walker delves into the Cold War era, exploring the intersection of culture and politics. The series focuses on writers Dwight Macdonald, Kenneth Tynan, and Richard Wright, who were unwittingly involved in the C.I.A.'s propaganda efforts through organizations like the Congress for Cultural Freedom. These writers, despite producing significant work, found themselves entangled in a web of covert operations aimed at promoting Western ideals during the tense political climate of the 1950s and 1960s. Walker's meticulous research and storytelling shed light on the complexities of this period, where art, literature, and ideology were manipulated for political ends. Through interviews, archival materials, and engaging narration, the podcast uncovers the dark and often ironic realities of how the C.I.A. used cultural figures to advance its agenda, ultimately shaping the world we live in today. Walker's exploration of this lesser-known aspect of history offers a thought-provoking look at the blurred lines between art, propaganda, and power.
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A review by Ken Follett, another bestselling author:
https://www.nytimes.com/1985/06/16/books/on-the-altar-of-ove...
William F. Buckley didn't just support the cold war — he actually participated in early CIA actions. In 1951 he became a deep cover CIA agent stationed in Mexico, reporting directly (and only) to E. Howard Hunt (who would later play a role in the Bay of Pigs invasion). Two years before his death, 79-year-old Buckley remembered a strange aftermath to his CIA work more than half a century before:
In 1980 I found myself seated next to the former president of Mexico at a ski-area restaurant. What, he asked amiably, had I done when I lived in Mexico?
Buckley's honest answer? "I tried to undermine your regime, Mr. President."*
https://www.10zenmonkeys.com/2008/02/28/the-collected-contro...A mistake that the Chinese made certain not to replicate.
Too much importance is made on free press, elections, freedom of expression. I was involved on a trade mission to Vietnam and nobody mentioned pride month.
> FY2012 budget states a plan to “initiate investigations into the relationship between… neurotransmitters such as oxytocin, emotion-cognition interactions, and narrative structures.”
The podcast's self-description is:
> “Not All Propaganda is Art” tells the story of three writers who got caught up in the Cultural Cold War between the years of 1956 and 1960: New Yorker writer and “little magazine” champion Dwight Macdonald, British theater critic and “Angry Young Man” Kenneth Tynan, and legendary Native Son novelist Richard Wright, who at this time was living in exile in France in protest of American racism. All three collaborated with and were targeted by American, British, and French security agencies in Cold War propaganda battles over contested intellectual ideas like the critique of mass culture and politically engaged art.
What is the perception?
'Cold War antics' of a 'bygone era'. Or is CIA still manipulating journals and content? New Yorker is silent on this topic.
However, these stories also fit into the narrative that we have no culture, it was all fake, and therefore there is nothing worth preserving or protecting, only dismantling and dissolving. It's hackneyed. Another demoralizing narrative churned out by a partisan brunch chatter factory shouldn't bring us down.
Really, the CIA and the western intelligence community had one job. I like how the west thinks it won the cold war when all of its institutions are openly occupied by the very ideologues they were formed against. Sure, CIA backed culture industries, and Hollywood is an organ of the State Department, but in spite of these stories, the sort of people our society pays to do dirty jobs are not our protagonists, and they are not the story imo.
It's certainly going on today, especially in various three-letter agencies trying to control the narrative and keep the truth from public view -- see the Twitter Files by Taibbi and others.
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