My flash kept blinding everyone dancing: Capturing northern soul all-nighters

Elaine Constantine, a UK photographer, captured the essence of 90s northern soul nights in a new book and exhibition. Commissioned by the Face magazine in 1993, she faced challenges photographing in dimly lit venues with a flash that often blinded dancers. Constantine's images offer an intimate look at the northern soul subculture, rooted in working-class soul music scenes from the 1960s. Her debut photobook, "I’m Com’un Home in the Morn’un," showcases scenes from the 100 Club in London and the Ritz in Manchester, among other venues. Constantine's work reflects her personal connection to the music and the subculture, which she also explored in her 2014 film "Northern Soul." Despite initial industry skepticism, the film became a success, much like her upcoming photobook. Constantine's images serve as a testament to the enduring appeal of northern soul, attracting both older enthusiasts and a new generation of dancers to the scene.