Early Bookcases, Cupboards and Carousels
The article examines the evolution of book storage, highlighting early bookcases, cupboards, and carousels, and their significance for scholars. It discusses historical designs and the global context of book production.
Read original articleThe article discusses the historical significance and evolution of book storage solutions, particularly focusing on early bookcases, cupboards, and carousels. It highlights the necessity for scholars and writers to have multiple resources accessible, as illustrated by medieval manuscripts. Notable examples include Saint Jerome in his study surrounded by books and the Codex Amiatinus, which features the Prophet Ezra with a cupboard holding a Bible in nine volumes. The article explains that books were often stored flat due to their size and the absence of standardized spines until the 16th century. It also describes the use of bifold doors in cupboards, which were practical for securing valuable books in cramped spaces.
The text further explores the concept of book carousels, which allowed users to access multiple open books efficiently. Historical references include a 1588 design by Capitano Agostino Ramelli for a book carousel that facilitated reading without moving. The article concludes by noting the global context of book production, mentioning the invention of paper in China and the development of printing techniques in Asia, which paralleled European advancements. Overall, the piece provides a comprehensive overview of how book storage has evolved from ancient times to the Renaissance, reflecting the changing needs of scholars and the increasing value placed on books.
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That sounded farfetched to me so I looked up the Codex Amiatinus mentioned in TFA and wow, it really is that big: https://upload.wikimedia.org/wikipedia/commons/3/3f/Codex_Am...
<https://books.google.com/ngrams/graph?content=bookcase%2C%20...>
This corresponds roughly with cheap mass-market books becoming widespread, particularly paperbacks (mid-1930s, large growth in the 1950s).
Wikipedia tells me a winged ox is old religious iconography associated with Saint Luke [0], which explains why they've inserted it into multiple paintings in otherwise-nonsensical contexts. (Wikipedia also has one additional painting of this ox ("Hermen Rode (1484)")—this one is actually standing on a bookshelf, why not).
[0] https://en.wikipedia.org/wiki/Luke_the_Evangelist#Symbol
If you don't know the author, his most famous is probably "To Engineer is Human: the Role of Failure in Successful Design". I liked "The Evolution of Useful Things", because now I realize Americans use their forks wrong. The design of the fork follows function, and that curve is there for a reason.
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