Server Mono: A Typeface Inspired by Typewriters, Apple's SF Mono, and CLIs
Server Mono, a new monospace typeface released in 2024, is designed for clarity and uniformity, ideal for command-line interfaces and applications, available in multiple formats, acknowledging community contributions.
Read original articleServer Mono is a new typeface released in 2024 by the Internet Development Studio Company, designed by Tim Vanhille and Matthieu Salvaggio, with contributions from Jimmy Lee and the community. This font draws inspiration from typewriters, Apple's San Francisco Mono, ASCII art, and programming tools, continuing the tradition of monospace fonts known for their clarity and uniform character width. Server Mono is particularly suited for command-line interfaces, websites, game worlds, and custom desktop applications where precise alignment is crucial. The font is available in several formats, including Regular and Slanted in OTF, WOFF, and WOFF2. The design emphasizes readability and a predictable appearance, making it a versatile choice for various viewing contexts. The creators express gratitude to the INTDEV community for their support during the font's development.
- Server Mono is a monospace typeface inspired by typewriters and programming tools.
- Released in 2024 by the Internet Development Studio Company.
- Available in multiple formats including Regular and Slanted.
- Designed for clarity and uniformity, ideal for command-line interfaces and applications.
- Acknowledges contributions from the INTDEV community in its development.
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- Many users express issues with character distinguishability, particularly between 'l', '1', and 'I'.
- Comments highlight problems with line spacing and readability, with some finding it too cramped.
- Several users suggest alternative fonts, indicating dissatisfaction with Server Mono.
- There are mixed feelings about the aesthetic choices in the font's design, with some appreciating its uniqueness while others find it unappealing.
- Community engagement is noted, with users actively reporting issues and suggesting improvements on GitHub.
E.g., under "lines", the rows are overlapping; https://i.imgur.com/KnOP2Wu.png ; I would think they're only supposed to just touch, with no gap, no overlap.
The boxes, similarly, don't quite line up right. https://i.imgur.com/6pVYh9a.png (Even the 100% box isn't lining up right, although somehow what FF screenshotted != what it rendered. sigh.) The point being, you want these to tile seamlessly. Oddly, they tile differently in the pictures-of-font that break up the page. (Which I'm not sure what they're supposed to be? One is called "5af1d7a5-fa60-4827-9b4f-808cdb635d59" and has no alt text. They remind me of Dwarf Fortress though.)
As other people hint, this seems like the line height is cramped. I/l/1 ambiguities is a deal breaker for any terminal font, though.
https://www.pgdp.net/wiki/DP_Sans_Mono
https://www.pgdp.net/c/faq/font_sample.php
font download link at https://www.pgdp.net/phpBB3/viewtopic.php?t=70714
This reads very PR-ish and lame.
When it comes to ÁĚÝŘŠ etc., the Iron Curtain still sometimes rears its head from the screen, even in 2024.
And I don't get what the ASCII art have to do with anything. What does it depict? Screenshots from some scifi movie?
And finally oh god, l and 1 are literally the same.
I just can't read it.
It's not very readable with line-height set to the x-height, ironically. Cool font though.
Find some old demoscene / warez ansi headers and show it put some on the homepage perhaps?
I like the art! I like the feel and… idk, visual rhythm? One man’s inconsistent is another man’s lively. I like the tight linespacing; Am of the opinion that line art glyphs should touch each other across lines – of course! – but it can’t be solved at the font level. We need console-oriented text rendering that knows how to connect those glyps. Could be done automatically but seems awkward. Could be done even better with, say, some kind of anchor points embedded into the font file – in a particular UNICODE location maybe?
And I for one don’t really mind I and l and 1 looking similar. Distinct is better but I am fond of the historic imperfection. O and 0 absolutely need to be distinguishable though! haha
But hey, well done on getting it out the door!
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