Atkinson Hyperlegible Font
The Braille Institute's Atkinson Hyperlegible font, launched in 2019, enhances readability for low-vision individuals, has over 130,000 downloads, and is available for free to improve accessibility.
Read original articleThe Braille Institute has developed the Atkinson Hyperlegible font, designed to enhance readability for individuals with vision loss. Launched in 2019, the font has received accolades, including the Fast Company’s Innovation by Design Award, and has been downloaded over 130,000 times. It features unique design elements that help distinguish similar letters and numbers, making it easier for low-vision readers to navigate text. The font is available in four styles, including regular, bold, italics, and italic bold, and supports 27 languages with over 335 glyphs per style. The Braille Institute offers this font for free, aiming to improve accessibility and transform the lives of those with vision impairments. Users have reported significant improvements in their reading experiences, with many expressing gratitude for the font's impact on their daily lives. The organization encourages donations to support its mission and continue providing free services to the community.
- Atkinson Hyperlegible font enhances readability for low-vision individuals.
- The font has won awards and has over 130,000 downloads since its launch.
- It features unique design elements to differentiate similar characters.
- Available for free for personal and commercial use.
- The Braille Institute relies on donations to provide its services at no cost.
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- Many users appreciate the font's legibility, especially in presentations and for low-vision individuals.
- Some commenters express concerns about specific letter distinctions, such as the similarity between "O" and "0" or "I" and "l".
- There are discussions about the font's design choices, including kerning and slashed zeroes, with some questioning their effectiveness.
- Several users suggest alternatives or express a desire for variations, such as monospaced versions.
- Accessibility and usability in different contexts, like web design and reading environments, are frequently mentioned.
Atkinson Hyperlegible Font - https://news.ycombinator.com/item?id=32799872 - Sept 2022 (234 comments)
Atkinson Hyperlegible – a font by the Braille Institute designed for legibility - https://news.ycombinator.com/item?id=28010540 - July 2021 (1 comment)
Atkinson Hyperlegible Font - https://news.ycombinator.com/item?id=26011945 - Feb 2021 (86 comments)
Atkinson Hyperlegible Font - https://news.ycombinator.com/item?id=25154417 - Nov 2020 (10 comments)
Atkinson Hyperlegible Font - https://news.ycombinator.com/item?id=24853550 - Oct 2020 (3 comments)
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You don't have long texts on slides, and everything is very distinct. I find it especially helpful, as many setups where one presents can be suboptimal (e.g., bad lighting, obstructed views, warped surface that is projected on, …). Which is where this font shines not only for people with impaired vision, but for everyone.
https://braileinstitute.app.box.com/s/rin3vzegmcy7sil28yfqsl...
I just tried to half-ass a similar test by editing the Google Font explorer UI to put them next to each other. Atkinson beats out Verdana for width, by about 4% (eyeballed and envelope math), however it's also 1 pixel taller per line at that size. So it's a more rectangular font. I'd have to think about how I'd want to use it, if I care more about lines per page or characters per column.
I suspect that would be true of Arial, even! This has been my goal for some time, but no browser has such an option. (You can change the default font, but almost no website leaves it set to default, so it does nothing.)
Additionally "I" and "l" look way too similar.
So I think "Unambiguous Letterforms" in this case not necessarily true.
So-called "UI/UX" designer are making a lot of fancy work to make things illegible. Contrast between background (aka "paper") and foreground (aka "ink") is going down and down. So, no matter the font of choice, text is becoming less readable (and less relevant) also because of color choices. While video and audio contents is getting more and more attention.
Gives credence that they do take it seriously.
I still think its a good step forward.
however: when I am in a spreadsheet, trying to choose a typeface & font for one column, my goal is NEVER to suddenly expand either the width, or the height, or the amount of hover over the baseline, or fabulous quantities of descender or ascender, or linespacing or i-don't-know,-you-tell-me-the-terminology, I don't want your typeface to shockingly change its alignment to all the other text I have
and that includes "oh, just select a different pointsize"; if things are the same pointsize, then they should be able to sit next to one another; I know it's not your fault, but you know whose fault it really really isn't? MINE
I really want to use your typefaces; don't make it so hard
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Routed Gothic is a font inspired by mid-20th century lettering, featuring slanted styles for a vintage look. It is free for non-commercial use and distributed under the SIL Open Font License 1.1.
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