Italian Mannerism, David Lynch, and Lars von Trier

Scott Sumner explores the relationship between artistic talent and greatness through the lens of Italian Mannerism and its parallels in contemporary cinema, particularly in the works of David Lynch and Lars von Trier. He argues that while artistic talent is widespread, true artistic greatness is rare, requiring a unique combination of talent and opportunity. The flourishing of artistic genius in 16th-century Italy, exemplified by masters like Titian and Michelangelo, was not a miracle but a result of specific cultural and technological conditions. Sumner highlights the transition from the High Renaissance to Mannerism, where artists sought new styles as traditional forms became saturated. He draws a parallel to modern filmmakers, noting that directors like Lynch and von Trier embrace unconventional styles, pushing the boundaries of film to express deeper emotional and subconscious themes. Their works, such as Lynch's "Twin Peaks" and von Trier's "The Kingdom," reflect a departure from traditional storytelling, embodying a self-conscious artistic exploration akin to Mannerism. Sumner concludes that the abundance of artistic talent often goes unrecognized until the right conditions allow for new styles to emerge, suggesting that the landscape of art is shaped by both individual genius and the cultural context in which it exists.

- Artistic talent is common, but artistic greatness is rare and context-dependent.

- The transition from the High Renaissance to Mannerism illustrates the need for new artistic styles.

- David Lynch and Lars von Trier exemplify modern filmmakers who push expressive boundaries.

- Cultural and technological conditions significantly influence the emergence of artistic genius.

- The exploration of subconscious themes in film parallels the self-conscious style of Mannerism.