The Vienna Secession: A History
The Vienna Secession movement, led by artists like Gustav Klimt, rebelled against traditional artistic norms in late 19th-century Vienna. Embracing modernist styles, they emphasized artistic freedom and unity of fine and applied arts.
Read original articleThe Vienna Secession movement emerged in response to the conservative artistic climate in Vienna in the late 19th century, characterized by a preference for classical styles. Led by artists like Gustav Klimt, the Secessionists sought to break away from traditional norms and embrace new modernist styles. They formed a new society separate from the established Kunstlerhaus, eventually building their own exhibition hall with a motto emphasizing artistic freedom. The Secessionists drew inspiration from various artistic movements, including the English Arts and Crafts movement and Japanese design, incorporating elements like geometric patterns and flat visual planes into their work. The Secessionists' unique style, known as Secession-stil, focused on symmetry and repetition, distinct from the natural forms of Art Nouveau. Their commitment to a total work of art, or Gesamtkunstwerk, aimed to unite fine and applied arts. The construction of the Secession building in Vienna symbolized their desire for independence and a new artistic vision, marking a significant shift in the Viennese art scene.
Related
The hacking of culture and the creation of socio-technical debt
Algorithms shape culture, dividing it into niche groups. "A Hacker Manifesto" by McKenzie Wark discusses hackers' influence on power dynamics, emphasizing free information. Tech giants like Facebook and TikTok wield immense cultural influence, blurring propaganda and personalization boundaries. Corporate dominance in culture hacking alters global power structures, challenging governments' regulatory capacity.
Tonight with the Impressionists
A virtual reality experience, "Tonight with the Impressionists," set in 1874 Paris, offers a detailed but flawed exploration of the first Impressionist exhibition. Issues with collisions and spatial inconsistencies hinder immersion.
Degrowth In Japan: Mending the "metabolic rift" of capitalism
In Japan, Kohei Saito promotes degrowth to address overconsumption and climate crisis, advocating for a shift from GDP to well-being indicators. He warns against relying on GDP-linked technological solutions for sustainability.
Asynchronous Consensus Without Trusted Setup or Public-Key Cryptography
Researchers propose an Asynchronous Common Subset (ACS) protocol for Byzantine consensus without trusted setup or public-key cryptography. The protocol uses hash functions, offers post-quantum security, and introduces new primitives. Efficiently evaluated in a geo-distributed setting.
How to Design an ISA
The article explores designing Instruction Set Architectures (ISAs), focusing on RISC-V's rise. David Chisnall highlights ISA's role as a bridge between compilers and microarchitecture, emphasizing the challenges and importance of a well-designed ISA for optimal performance in various computing environments.
But since I'm more into visual arts anyway, I naturally checked out the vibrant (pun intended) art museums too. That's where I learned of Gustav Klimt and the Secession movement. That's where I started to become intensely fascinated with Art Nouveau/Jugendstil.
(When I was there, the Albertina had a contemporary art exhibit for the art duos Hauenschild Ritter and Muntean/Rosenbloom. It was a personal religious experience seeing those works. I won't write an essay here as to why because it's tangential to the topic. I accept maybe a lot of people will say "religious experience" is hyperbole (it's not). But the point is Vienna's cultural footprint is not just classical music.)
Unfortunately, I didn't have time anymore to visit the Secession building when I was there. But the plus side is that I have a reason to return.
I'm surprised though that the article honors and praises things while at the same time spelling them consequently wrong. One would assume they would at least spend the effort to keep the Umlauts.
The Akademie de bildende Kunste = Die Akademie der bildenden Künste
Kunstlerhaus Genessenschaft = Künstlerhaus Genossenschaft
Hagengesalleschaft’ = Hagengesellschaft
Hagendbund = Hagenbund
Gesamkunstwerk = Gesamtkunstwerk
Kunsthistoriches museum = Kunsthistorisches Museum
Ringstrasse = Ringstraße
The University of Heidelberg has an online site with a lot of high quality scans of Ver Sacrum and related publications. There is a lot of variety in the Vienna Secession, and its aesthetic stretched all the way from graphic design to architecture and even interior design.
(A fact that the website doesn't touch on is that the Vienna Secession was critical in defining what the Nazis eventually labeled "degenerate" art, and that much of the surviving Secession work is of unclear provenance after being expropriated before and during WWII. There are a bunch of small plaques all around the Leopold and Albertina museums that make oblique reference to this.)
Related
The hacking of culture and the creation of socio-technical debt
Algorithms shape culture, dividing it into niche groups. "A Hacker Manifesto" by McKenzie Wark discusses hackers' influence on power dynamics, emphasizing free information. Tech giants like Facebook and TikTok wield immense cultural influence, blurring propaganda and personalization boundaries. Corporate dominance in culture hacking alters global power structures, challenging governments' regulatory capacity.
Tonight with the Impressionists
A virtual reality experience, "Tonight with the Impressionists," set in 1874 Paris, offers a detailed but flawed exploration of the first Impressionist exhibition. Issues with collisions and spatial inconsistencies hinder immersion.
Degrowth In Japan: Mending the "metabolic rift" of capitalism
In Japan, Kohei Saito promotes degrowth to address overconsumption and climate crisis, advocating for a shift from GDP to well-being indicators. He warns against relying on GDP-linked technological solutions for sustainability.
Asynchronous Consensus Without Trusted Setup or Public-Key Cryptography
Researchers propose an Asynchronous Common Subset (ACS) protocol for Byzantine consensus without trusted setup or public-key cryptography. The protocol uses hash functions, offers post-quantum security, and introduces new primitives. Efficiently evaluated in a geo-distributed setting.
How to Design an ISA
The article explores designing Instruction Set Architectures (ISAs), focusing on RISC-V's rise. David Chisnall highlights ISA's role as a bridge between compilers and microarchitecture, emphasizing the challenges and importance of a well-designed ISA for optimal performance in various computing environments.