From the book, "Calvin and Hobbes – Sunday Pages 1985 – 1995"
Bill Watterson reflects on creating "Calvin and Hobbes," discussing challenges and joys in cartooning, emphasizing differences between daily and Sunday strips. He details artistic process, color importance, and desire for creative freedom.
Read original articleBill Watterson reflects on his experience creating "Calvin and Hobbes" in an introduction from the book "Calvin and Hobbes - Sunday Pages 1985 - 1995." Watterson discusses the challenges and joys of cartooning, particularly focusing on the differences between daily and Sunday comic strips. He explains how he approached writing and drawing the Sunday strips separately, aiming to utilize the larger space effectively. Watterson also details his artistic process, from drawing on Bristol board to coloring the strips by hand. He highlights the importance of color in creating mood and emotional impact in the comic. Despite facing constraints like fixed panel divisions and limited space in newspapers, Watterson aimed to push the boundaries of traditional comic formats. He expresses a desire for more creative freedom and space to fully realize his storytelling ideas, inspired by older comic strips that had more expansive layouts. Watterson's insights provide a glimpse into the thought and effort behind the beloved "Calvin and Hobbes" comic strip.
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There is something electric and timeless about these strips. I am certain they don't understand all of the vocabulary but still they read it. It is a format that lures kids in and then uses that attention it has earned to stretch minds. Re-reading it as an adult also rings true in a totally different way. Calvin's parents become sympathetic compatriots.
It's smarter than most adults but captivates kids. It is a decade of work that deserves all the awards that could possibly be given.
I've read, many times (it's a very short read), M. Watterson's (and his friend's John Kascht) latest work, "The Mysteries", and I very much like it. It's a multifaceted fable that explores, among other things, the tension between curiosity and control, and the allure and danger of technological progress. "The Mysteries" takes a more somber and philosophical approach, and its graphical style is radically different from C&H's, but I think it still shares with C&H a deep appreciation for the mysteries of life and the power of imagination to enrich our understanding of the world.
We have the anthology at home, I think it’s time to introduce the kids (6 & 9) to Watterson, although my son is already an expert at Calvinball without even knowing it.
What struck me reading this piece was thinking about how all the constraints that Watterson faced just don’t exist today, as he pointed out with his “click of the mouse” comment. Constraints can often lead to creative solutions, I wonder where Calvin and Hobbes would go in today’s landscape.
The other main comic strip I enjoyed at that time was The Far Side. Recently I reread both Calvin and Hobbes and the Far Side. Calvin and Hobbes is still just as good as a 50s year old adult (though I find I now identify a lot more with the parents). But, I didn’t find the same thing to be true of The Far Side. Some of the Far Side strips are wonderful - like The School of the Gifted - but most just fell flat for me.
I'm too young to remember Calvin and Hobbes as a new comic. But, my parents had a complete anthology and I must have read the entire thing half a dozen times, cover to cover. I think Calvin and Hobbes informed the way I try to look at life. Embrace spontaneity and use your imagination. It's easy to forget that stuff.
https://docs.google.com/document/d/1XryL7duzj_WZEy0dtdDO48_s...
The first time I was reading “Something Under the Bed is Drooling,” when I got to the Mr Bun strip, my brain broke from the art change. I was extremely confused until I got to the end. To be a kid again…
Watterson has a new book: The Mysteries.
The only one exception was the box set of Calvin and Hobbes, the complete edition.
I don't care she left me, the box stays.
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