Medieval
The EP-1320 is an electronic instrument emulating medieval sounds, featuring a vast library, sampling capabilities, MIDI support, and a built-in speaker, suitable for casual and professional music creation.
Read original articleThe EP-1320 is a unique electronic musical instrument designed to emulate medieval sounds, featuring a vast library of phrases, instruments, and one-shot samples. It includes hundreds of medieval sounds, redesigned effects, a new arpeggiator, and the ability to sample sounds via an internal microphone or line input. The instrument supports various medieval instruments such as hurdy gurdy, citole, and bagpipes, and offers a range of percussion sounds. Users can play these sounds on pads or an external MIDI keyboard. The EP-1320 also includes a "demus mode" with nine pre-recorded medieval songs for jamming along. It is powered by four AAA batteries or USB-C, and features MIDI input/output, audio input/output, and a built-in speaker and microphone. The device is compact, with a total memory of 128 MB, and supports various effects and sampling capabilities. The EP-1320 is marketed as the ultimate medieval beat machine, suitable for creating music for taverns, banquets, and other festive occasions.
- The EP-1320 features a large library of medieval sounds and instruments.
- It includes sampling capabilities and various built-in effects.
- The instrument can be powered by batteries or USB-C.
- It supports MIDI connectivity and has a built-in speaker and microphone.
- The device is designed for both casual and professional music creation.
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EP–1320 Medieval
The EP-1320 is an electronic instrument for medieval music, featuring a vast sound library, MIDI connectivity, sampling options, demo mode, and portable power, ideal for festive occasions.
- Many users appreciate the unique medieval aesthetic and creative design of the instrument.
- Some express skepticism about its practicality and usability for serious music production.
- There is a mix of admiration for Teenage Engineering's innovative approach and concern over the potential for excessive consumerism.
- Several comments reference the product's appeal to niche music genres like bardcore and dungeon synth.
- Users share a sense of humor and curiosity about the product, with some questioning its necessity while still feeling drawn to it.
Seems like the people at TE have fun over-designing gadgets that are more aesthetic than usable. Good for them that they've managed to make a viable business out of it.
“Tales of the EP-1320: Medieval (teenage engineering)”
Looks great blown up on a 4K monitor due to extensive use of SVG.
Could it be because, according to https://en.wikipedia.org/wiki/1320 "In France, a large group of common people band together in Normandy on Easter Sunday to begin a crusade, after a teenage shepherd says he was visited by the Holy Spirit" (my emphasis).
Edit: to add something unrelated, until today I never knew how badly I needed hurdy gurdy electronic music in my life.
- 128MB memory including 96MB ROM sounds and 32MB user sample memory on the Medieval
vs
- 64 MB memory, or 999 sample slots on the K.O. II.
You can definitely recreate this just by collecting appropriate VSTs and sample libraries, even probably by just loading some "medieval samples" to some groovebox.
But if I got this second hand on cheap price I would definitely make some fun with it even if it has somewhat cryptic labels.
Is there any functional difference to the EP-133? Interestingly It seems that they have different operating systems.
I'll get it when we upgrade Spitfire this year.
While I haven’t had the chance to ride one, I imagine it is the same feeling as riding a joke bike where the headset is geared to invert the sense of the handlebars (left is right, right is left) or using a pair of circlip pliers where squeezing the handles opens the jaws rather than closing them.
Alas, Teenage Engineering really set themselves a high bar with the OP-1 and I still don’t think they’ve ever come close to it. The OP-Z just didn’t compete without a screen, the pocket operators (and the K.O. II and Medieval, which have the same interface) have a much less intuitive design language, their IKEA lights are controlled by colour coded, identically shaped controls on the back, etc.
They are all lovely products at good price points that do their jobs delightfully but when they came from the same studio as the OP-1 it is like comparing a Pininfarina Peugeot 205 with a Pininfarina Ferrari 250.
But at least the layout follows she Golden Ratio I guess.
I'm pretty sure if I bought one, it would just sit in my cupboard, but I'm looking for an excuse to buy one, has anyone here gotten more use out of one of their gadgets than they expected they would?
Even for using it just as a fancy overpriced MIDI input, velocities from pads were way too unpredictable compared to a cheap korg nanosomething.
What is the cheapest way to get a grid of buttons that wires into a laptop (mac if it matters) to play sound effects? My wife is a teacher and would really enjoy hitting a button and getting some dumb sound effect to play. But it's just a lark, so it's not worth too much $ invested.
I had assumed a cheap drum pad + midi, but not 100% sure that makes sense.
https://www.yankodesign.com/2022/07/27/teenage-engineering-b...
Sure the OP-1 and the PO-400 are cool, but the price of the OP-1 Field is a non-starter and the usability of the K.O II would make lookmumnocomputer cry.
Now… this!?! Who would look at this and say “yes, I need one of these” (I just checked the date to make sure it’s not either April 1st or Halloween)
Maybe they’re really performance artists wanting to hone their industrial design skills in parallel on the side
The reason I’ve been eyeing hardware is because I spend all my time writing code and drawing pixel art, so it would be nice to have something away from the computer to work with.
I love medieval stuff. They're even being campy/mocky and I don't care I want a medieval synth.
"instrumentalis" and "electronicum" are both adjectives.
(But it's 25 years since I had to read Latin at school.)
I absolutely hate the rounded rectangular buttons within the hard square cut-outs.
i'm not the market, so maybe I just don't know what i'm judging.
if i can afford an OP-1 without flinching i know that i've made it.
However, I do think there is a case to be made for falling into the trap of being more interested in the gear than the thing you're meant to do with the gear.
At the very least, Teenage Engineering hardware is generally very well designed, high quality and built to last. At least this product has some creative spirit behind it. I'm in love with the merge of Medieval and Modern Electronic here!
For an example of excessive consumerism, look no further than the Eurorack[1] space. They don't call it Eurocrack for nothing!
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EP–1320 Medieval
The EP-1320 is an electronic instrument for medieval music, featuring a vast sound library, MIDI connectivity, sampling options, demo mode, and portable power, ideal for festive occasions.