The Varieties of Mystical Experience
Simon Critchley's book "Mysticism" argues for the relevance of mystical experiences today, highlighting their presence in art and literature, while critiquing academic dismissal and acknowledging historical marginalization, especially of women.
Read original articleSimon Critchley's book "Mysticism" explores the often-dismissed realm of mystical experience, arguing for its relevance in contemporary life. He challenges the perception of mysticism as overly earnest or irrational, instead presenting it as a personal and embodied tradition that can offer insights into self-transcendence. Critchley draws on historical figures, particularly medieval mystics, to illustrate how their experiences can inform modern existential struggles. He emphasizes that mysticism is not confined to religious contexts but is a tendency that can arise in various forms, including art and literature. Critchley critiques the academic dismissal of mysticism, advocating for a more open-minded approach that recognizes its potential to enhance belief and joy in daily life. He acknowledges the historical marginalization of mystical practices, particularly those associated with women, and reflects on the challenges of articulating mystical experiences, which often defy language. Ultimately, Critchley posits that while the fervor of historical mysticism may not be replicable today, its aesthetic echoes persist, inviting exploration and connection in a modern context.
- Simon Critchley argues for the relevance of mystical experiences in contemporary life.
- The book highlights the historical marginalization of mysticism, particularly regarding women's contributions.
- Critchley emphasizes that mysticism transcends religious boundaries and can be found in art and literature.
- He critiques the academic dismissal of mysticism, advocating for a more open-minded approach.
- The author reflects on the challenges of articulating mystical experiences, which often defy language.
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Critchley puts it nicely: “The mystics are constantly effing the ineffable, for as long as it effing takes.”
P.S. It took me a bit to recognize the obvious riff on William James in the title: https://en.wikipedia.org/wiki/The_Varieties_of_Religious_Exp...
https://psychology-tools.com/test/meq-30
Or see the factor analysis based on a study of over a thousand users of psilocybin. The dominant factor is feelings of unity— followed by feelings of positivity, transcendence of space/time, and ineffability (inability to put the experience into words).
https://onlinelibrary.wiley.com/doi/full/10.1111/j.1468-5906...
These feelings have been described across history and culture. These are not merely drug experiences — they are “perennial” mystical experiences.
The notion of unity is central to the experiences— but what does that mean? One can look for understanding in many traditions—I’ve found a lot of value in the Pythagorean-Platonic tradition.
(As a side note, I wonder how the concept of unity compares to the concept of “harmony.” https://www.sciencedirect.com/science/article/pii/S240587262...)
Check out the “Embassy of the Free Mind” in Amsterdam if you are interested in the historical texts associated with mystical experiences. It is a rare book library with roots in the renaissance. https://embassyofthefreemind.com/en/
https://global.oup.com/academic/product/the-varieties-of-spi...
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