The Ugly Truth About Spotify Is Finally Revealed
An investigation into Spotify revealed that many playlist artists are not genuine musicians but part of a scheme to promote low-quality tracks, raising concerns about artist representation and profit prioritization.
Read original articleA year-long investigation into Spotify has revealed troubling practices regarding the platform's music curation and artist representation. The investigation, led by journalist Liz Pelly, uncovered that many artists featured in Spotify's playlists are not genuine musicians but rather part of an elaborate scheme involving a small group of individuals operating under multiple pseudonyms. This practice, termed the "Perfect Fit Content" (PFC) program, allows Spotify to promote tracks that are cheaper to stream, often generated by AI or produced in a way that minimizes royalty payments to actual musicians. The investigation highlighted that Spotify's playlists are filled with repetitive and low-quality tracks, raising concerns about the platform's commitment to authentic music. Pelly's findings suggest that Spotify has prioritized profit over artist rights, echoing historical issues of payola in the music industry. The report calls for greater transparency and regulation in music streaming, urging Congress to investigate ethical violations similar to past payola scandals. The article emphasizes the need for a cooperative streaming platform owned by musicians and labels to reclaim control from corporate interests.
- Spotify's playlists feature many fake artists, often created to reduce royalty costs.
- The "Perfect Fit Content" program promotes low-quality tracks for profit.
- The investigation calls for transparency and regulation in music streaming.
- Historical parallels are drawn to payola scandals in the music industry.
- A cooperative streaming platform is proposed as a solution for artists.
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I'm not sure there is a problem if a proportion of the listeners don't recognize they are listening to slop. I do, however, think its a problem if Spotify is giving preferential treatment to slop, as is claimed in this post. I also would prefer a system that better supported musicians, while having the ease of use of Spotify.
As a former (paid) composer, I know how, pardon my words, the music industry is utterly fucked up today.
That said we shouldn't just be cool with what Spotify is doing. Let me put it this way, what is happening is similar to Embrace, Extend, Extinguish.
Personally I don't think much of Spotify today, and hope that we go back to buying music on medias and owning the music purchases. That is the key, to bringing back some sense to the Music (and Game btw) industry.
There’s a coop Bandcamp alternative being built right now: https://subvert.fm/
Hopefully
1) the word payola isn’t technically correct to describe Spotify “optimizing” its cost of goods sold by replacing with mass produced, farmed content. It’s more similar to Amazon Basics category of goods.
So payola is not the right term, since no one’s paying them to promote some music on the platform. Actually there’s real payola and that’s from companies like Universal music promoting drake etc
2) calling the Spotify owned content “slop” is kinda unfair to the creators. Afaik it’s not AI generated and there is real musicians making money off of this (albeit little)
3) I’m almost positive that Spotify will just start using AI exclusively for creating this slop very soon
Remember when the music labels themselves were the baddies?
I’ve warned repeatedly that this is a huge mistake. Spotify is their adversary, not their partner. The longer they avoid admitting this to themselves, the worse things will get.
I think this confuses record labels with artists. I don't see labels having a problem with replacing their artists with AI, as long as they still get the royalties.
I think calling this payola, as the article insinuates,is wrong.
I was always more interested in finding artists than I was in finding songs. I've noticed Spotify recommendations being worse and worse, and I can happily say I've left the platform half a year ago. Didn't regret it a single bit.
in addition, its original stream2own model allows you to automatically spend more on the artists you listen to more and even own (= stop paying for) and download the tracks you listened to at least 9 times. i think that it is a much fairer revenue-distribution model than “the big money pot” model used by spotify (and almost all other music streaming platforms out there) where people listening to the highest amount of tracks decide where other people’s money goes.
A popover will randomly cover the controls with a signup banner so that you can’t play the next song without saying no.
It’s a subtle tell but when you see even a small dark pattern you know the company behind it has no moral compass.
Have nothing to do with them.
This seems vaguely important?! Yet this story got utterly nuked off HN (can't find it on the first 10 pages). Meanwhile this still lingers on page 1: https://news.ycombinator.com/item?id=42461530
Yeah I know discussing votes and flags and rankings and all that stuff is very boring. However we're dealing with people who throw money around to manipulate what people see and hear so they can make more money, so.
Maybe something like “I don’t see the problem with this app being buggy and almost unusable - I just like having nice icons on my HomeScreen. I don’t see anything unethical about this [MEGA-CORP] fixing the market with their own cheap and poor quality programmers - most people don’t care if their apps work anyway”.
The solution is simple - curate your own playlists, or find people with tastes similar to yours that shared theirs.
Don't give a company power to pick music for you, then complain that they have such power.
Related
The music industry is engineering artist popularity
The music industry faces criticism for manipulating artist popularity on streaming platforms, particularly Spotify, raising concerns about transparency, fairness, and the authenticity of music recommendations amid perceived industry manipulation.
How the Music Industry Learned to Love Piracy
The documentary "How Music Got Free" examines online music piracy's effects on the industry, highlighting the disparity between wealthy artists and struggling musicians, while critiquing streaming's minimal compensation for artists.
I Quit Spotify
The author quit Spotify due to frustrations with its updated interface, which prioritizes playlists over albums, leading to user alienation. They switched to Apple Music for a better experience.
Not even Spotify is safe from AI slop
Spotify is facing issues with fake AI-generated albums on artists' pages, causing confusion and financial loss. The problem stems from distributor reliance, leading to significant streaming fraud and losses.
The Ugly Truth About Spotify Is Finally Revealed
An investigation into Spotify revealed the promotion of "fake artists" to increase profits, prioritizing cheaper music over real musicians, raising ethical concerns, and advocating for transparency and cooperative platforms.