John Coltrane Draws a Picture Illustrating the Mathematics of Music

Stephon Alexander, a physicist and saxophonist, draws parallels between the works of Albert Einstein and jazz legend John Coltrane, particularly highlighting the "Coltrane circle," which resembles the "Circle of Fifths" but incorporates Coltrane's unique innovations. This drawing, gifted to saxophonist Yusef Lateef in 1967, is featured in Lateef's influential text, "Repository of Scales and Melodic Patterns." Lateef describes Coltrane's music as a spiritual journey, while Alexander connects it to geometric principles akin to those in Einstein's quantum theory. Coltrane was known to engage with scientific concepts and often discussed Einstein's work, indicating a deep awareness of the mathematical aspects of music. Musician Roel Hollander emphasizes that Coltrane consciously applied mathematical principles in his compositions. Various musicians interpret Coltrane's work through different lenses, with some seeing it as a connection to the divine. Lateef, who studied closely with Coltrane, suggested that Coltrane's late masterpiece "A Love Supreme" could have been titled "Allah Supreme" if not for potential political repercussions. The diverse interpretations of Coltrane's musical theory reflect his recognition of music's structures as both a scientific discovery and a spiritual experience.

- Stephon Alexander connects John Coltrane's music to Einstein's theories.

- The "Coltrane circle" incorporates Coltrane's innovations in music theory.

- Coltrane's work is seen as a spiritual journey by some musicians.

- Lateef suggests Coltrane's "A Love Supreme" could have been titled "Allah Supreme."

- Coltrane's music is interpreted through various philosophical and spiritual lenses.