A Nice, Provocative Silence: An Interview with the Author of Cahokia Jazz

Francis Spufford's latest novel, "Cahokia Jazz," presents an alternative history where the ancient Native American city of Cahokia thrives into the 1920s, diverging from its historical decline. The narrative unfolds in a noir setting, depicting a city governed by Indigenous Mississippians, contrasting sharply with the real St. Louis, which faced segregation and urban decay. The story centers on Detective Joe Barrow, who investigates a murder that threatens the stability of this vibrant metropolis. Spufford's work often explores historical counterfactuals, allowing readers to reflect on the implications of altered timelines. In "Cahokia Jazz," he addresses themes of representation and the complexities of Indigenous culture, while also acknowledging the darker aspects of history. The author draws inspiration from the lack of written records about Cahokia, using this silence to creatively fill in the gaps with a narrative that challenges conventional understandings of Native American history. The novel also touches on issues of property ownership and societal structure, suggesting that a resilient Indigenous society would prioritize collective land ownership while adapting to modernity. Spufford's approach combines historical inquiry with imaginative storytelling, inviting readers to consider the potential outcomes of different historical trajectories.

- "Cahokia Jazz" is set in an alternative 1920s where the city of Cahokia thrives.

- The novel features Detective Joe Barrow investigating a murder that threatens the city.

- Spufford explores themes of Indigenous representation and historical counterfactuals.

- The story reflects on the complexities of property ownership in Indigenous cultures.

- The author creatively fills historical silences to challenge conventional narratives.