Tom Wolfe's Irresistible Snap, Crackle and Pop
Tom Wolfe transformed sociology into art with his unique writing style, exploring social dynamics and status, critiquing elite performative activism, and contrasting new cultural elites with old aristocracy.
Read original articleTom Wolfe, renowned for his distinctive writing style, transformed sociology into a form of art through his keen observations of social dynamics and status. His works, including "Radical Chic" and "The Right Stuff," explore the shifting status rules of society, particularly during the cultural upheavals of the 1970s. Wolfe's approach was characterized by a blend of audacity and insight, as he examined the behaviors and motivations of the elite, often highlighting their contradictions and the performative nature of their social interactions. He portrayed the new cultural elite, who had to navigate complex social landscapes, contrasting them with the old aristocracy that enjoyed a more secure status based on lineage. Wolfe's writing delved into the nuances of social dilemmas, capturing the essence of human behavior and the often superficial nature of social displays. His essays, particularly "Radical Chic," critique the performative aspects of social activism among the wealthy, questioning the authenticity of their engagement with marginalized communities. Wolfe's legacy lies in his ability to blend literary flair with sociological insight, making profound observations about modern life while maintaining a sense of empathy for his subjects.
- Tom Wolfe transformed sociology into art through his unique writing style and keen social observations.
- His works often explore the shifting status dynamics of society, particularly in the 1970s.
- Wolfe critiqued the performative nature of social activism among the elite, questioning their authenticity.
- He contrasted the new cultural elite with the old aristocracy, highlighting the complexities of social status.
- His legacy is marked by a blend of literary skill and sociological insight, capturing the essence of human behavior.
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It's uncanny to read these in the context of the 2020s and see so many parallels.
I first heard about the Stoic philosophy from that book.
Dave Barry, too.
""" "Don't tell me," Mrs. Archer would say to her children, "all this modern newspaper rubbish about a New York aristocracy. If there is one, neither the Mingotts nor the Mansons belong to it; no, nor the Newlands or the Chiverses either. Our grandfathers and great-grandfathers were just respectable English or Dutch merchants, who came to the colonies to make their fortune, and stayed here because they did so well. One of your great-grandfathers signed the Declaration, and another was a general on Washington's staff, and received General Burgoyne's sword after the battle of Saratoga. These are things to be proud of, but they have nothing to do with rank or class. New York has always been a commercial community, and there are not more than three families in it who can claim an aristocratic origin in the real sense of the word." """
And was Leonard Bernstein admired for his taste? I should have said it was his conducting and composing. Was Barbara Walters admired for her taste, or for ability to interview people of some interest?
In general, I reached a point where I really could resist Wolfe's effects, where I was tired of the habitual elbow in my ribs. I would remark also that according to something posted now and then on HN, he got Yeager's crash in The Right Stuff wrong, and apparently also the fiasco with Grissom's capsule. On the other hand, Ken Kesey did speak well of him.
[edit: added "also" to the second-last sentence]
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