Writing in Pictures: Richard Scarry and the art of children's literature
Richard Scarry's "Cars and Trucks and Things That Go" marks its 50th anniversary, celebrating his influential children's literature filled with charming animal characters and vibrant illustrations, impacting generations of readers.
Read original articleRichard Scarry's children's literature, particularly his iconic work "Cars and Trucks and Things That Go," celebrates its 50th anniversary this year. Chris Ware reflects on how Scarry's books, filled with charming animal characters and engaging illustrations, provided a comforting and imaginative world for children. Ware recalls his own childhood experiences with Scarry's books, which offered a visual exploration of everyday life, making it relatable and inviting. Scarry's unique approach to storytelling, where animals replace humans, created a sense of warmth and familiarity. The anniversary edition of "Cars and Trucks and Things That Go" has been reprinted with vibrant illustrations and includes an afterword by Scarry's son, Huck, sharing insights into his father's creative process. Richard Scarry, born in 1919, faced early challenges in education but found his passion for art, which led him to a successful career in children's literature. His work transformed the landscape of children's books, making them accessible and appealing to a broader audience. Scarry's legacy continues to influence generations of readers and artists, highlighting the importance of creativity and imagination in childhood.
- Richard Scarry's "Cars and Trucks and Things That Go" celebrates its 50th anniversary.
- Scarry's books feature animal characters, creating a relatable and warm environment for children.
- The new anniversary edition includes vibrant illustrations and insights from Scarry's son.
- Scarry's early struggles in education did not deter him from pursuing a successful career in children's literature.
- His work has significantly impacted the accessibility and appeal of children's books.
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- Many commenters fondly recall their childhood experiences with Scarry's books, highlighting their charm and educational value.
- Readers appreciate the whimsical and detailed illustrations, often mentioning specific characters and elements like the Gold Bug.
- Some express concern about the contrast between the idealized world in Scarry's books and the challenges of modern life.
- Parents share their children's love for Scarry's books, noting how they engage with the stories and illustrations.
- Several comments mention the influence of Scarry's work on vocabulary development and imagination in children.
A detail I only mentally noted as an adult: the butchers in his books are always pigs themselves. A pig selling ham, sausages and, presumably, cuts of pork is a bit morbid (and also hilarious in a black humor sort of way), but it fits in with the world so much that I didn't even think twice about it as a kid. It just slid past me.
I still remember one of the books I had as a child—can't recall the title exactly—that had a bunch of urban scenes with various objects labeled. What really stood out were the little details and funny little stories going on. The stories and the humor got me to pay attention and actually care about the objects (and their labels!) far more than any generic vocabulary book for kids.
What I love about Richard Scarry is that he is never patronizing or condescending. Too many authors of children's books either try to write down to kids, try to write what they think kids ought to read, or both. But kids aren't idiots and they can tell! Well, I can't speak for everyone, but at least as a kid myself I found a lot of children's works either patronizing or unpleasant—works that were trying too hard to be childlike or, especially, works that were transparent morality plays.
Scarry's work is nothing like this at all. It's oriented for and accessible to kids, but it manages to be simple and silly in a genuine way. The art and stories are actually cute and funny rather than caricatures of what an adult thinks a child would find cute and funny. You can tell Scarry was making something he would enjoy himself. That's why I loved his books when I was five and why I still love his books now.
It's hard to find other children's books like that. I collect illustrated books and the majority I see in stores are awful. The most successful exception I've seen are books by Joe Klassen (of I Want My Hat fame) along with his common collaborator Mac Barnett. Their books are legitimately funny and visually attractive to adults, they're willing to write stories that aren't entirely saccharine, and children absolutely love them. I've seen that first-hand.
I’ve been struck by how the world is depicted to my children in so many children’s books. “As you grow, you’ll be able to slot into a happy productive life, no matter what kind of work you like.”
No joke: every time I read my daughter a Richard Scarry book, I wonder when and how it will have to be broken to her that unless her interests happen to include something that pays a living wage, she’s actually fucked for life.
Think about what it would be like to grow up or to raise children in a world where the ramp to adulthood was incredibly wide and smooth and it was near-impossible to fall off a cliff into poverty, loneliness, or a life of work you hate.
Busytown isn’t a real place, but it was obviously designed to give children some sense of what the world is like or supposed to be like.
My kids, now grown, did not get to experience his books - are his books sold widely anymore?
Come to think of it, a lot of children's authors seem to have lived in that area, western CT or eastern upstate NY. Some, including Judy Hawes and Jean Van Leeuwen, came to visit my school to talk about their books, reading in general, etc.
In college I referred to the textbooks used by Management Information Systems majors as "Richard Scarry books" because they were full of colorful, busy illustrations and light on technical detail.
My toddler is now obsessed with them and demands “CARS AND TRUCKS”, “SITE” or “HOUSE” every night at bedtime.
I initially thought my 1.5 year old didn’t quite have the attention span for Cars and Trucks and Things that Go yet, but recently, after learning the word bus, he picked it up and dutifully started going through each page and finding all of the buses.
There were some blobby looking ice-cream/sundae in it. And a picture story where someone made very tall icecream. So tall that a helicopter was putting scoops on top (or may be it was placing the cherry on top, but i remember that helicopter touching that icecream). It was a colorful cartoony style art in the book.
Having strong imagination as a kid, the pictures in this book always felt real (hard to explain). Then I remember looking at this book many years later as a grown up and not feeling them as real. It's been many many years since then and I want to have a glimpse again.
https://news.ycombinator.com/item?id=37044673 (47 comments)
Some things have not aged well in them though. Thinking specifically around the gender roles. Not matching Sweden of today. Basically all men are working and having a good time and the women are taking care of children and their husbands. But I sometimes make a lesson of that and tell them that it used to be more like that and ask them whom of my wife and I do different chores and takes care of them. Then we can laugh about it a bit together instead of me grinding my teeth. “Mom’s work is never done”.
ALWAYS he would say "Robber Book!" which was a Richard Scarry book that had a couple of robbers/burglars in it. In hindsight it was the cars he liked the most - cars are a major feature of Richard Scarry books and my little boy was car crazy from the moment he was born it seems.
Richard Scary's illustrstions were absolute favorites for myself, my siblings and all of our offspring when we were looking at books before we learned to read, and The Phantom Tollbooth by Norton Juster later became our favorite book as young readers.
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