CEO of AI Music Company Says People Don't Like Making Music
Mikey Shulman, CEO of Suno AI, believes music creation is often unenjoyable due to its challenges, aiming to make it accessible through AI, despite facing legal issues and criticism regarding authenticity.
Read original articleMikey Shulman, CEO of AI music generator company Suno AI, expressed his belief that most people do not enjoy the process of making music. In a recent podcast interview, he stated that creating music is often time-consuming and requires significant skill development, which detracts from enjoyment. Shulman aims to create a platform that makes music creation accessible to a broader audience, arguing that generative AI tools like Suno can enhance the music experience for many. However, his comments have sparked debate about the intrinsic value of the music-making process, which many find rewarding despite its challenges. Critics argue that Shulman's perspective overlooks the joy derived from skill-building and creative expression inherent in music. He also noted that the recording industry is suing Suno for using copyrighted music in its training dataset, a situation he views as unfortunate, as he believes AI tools can ultimately expand the music audience. Shulman compared the potential growth of the music industry through AI to the evolution of electronic music and digital production tools, suggesting that these innovations can democratize music creation. Nonetheless, the discussion raises questions about the quality and authenticity of music produced through AI, as well as the implications for traditional musicianship.
- Mikey Shulman believes most people do not enjoy making music due to its challenges.
- Suno AI aims to make music creation more accessible through generative AI technology.
- Critics argue that the process of learning and creating music is inherently enjoyable.
- Suno AI is facing legal challenges from the recording industry over copyright issues.
- Shulman compares the potential impact of AI on music to the evolution of electronic music.
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“I don’t want AI to do my writing and Art so that I have more time to do laundry
I want AI to do my laundry so that I have more time for writing and art”
This guy clearly doesn’t know any musicians. The starving artist archetype exists exactly because people will sacrifice everything to be a musician.
Creating music that you yourself love -- even music no one else will ever hear -- is a peak human experience that I wish everyone got to experience.
The joy of creation is truly wonderful for its own sake.
Can AI help that creation, just like other "synthetic" techniques for making music (not least - the synthesizer)? Definitely.
But for me at least, the less of me (i.e. other people's samples, stock sound effects, DAW gimmicks) that's in my music, the less rush and joy I get from it. The less it feels "mine". But that's all very subjective.
Which takes me back to why this is such a dismal take. Why wouldn't this dude point to how making music is a creative joy, and AI can help bring that joy to more people by lowering the barrier to entry?
After a few laughs and cheap replicas, people realize that it's damn hard to produce a good sounding, creative piece. Suno almost always adds noise and you can feel most of this is coming from fingerprinting.
With Suno and Udio, you lose control. You can generate starters and helpers but sooner or later, you want real control. That's not editing a section and having a conditioned piece of garbage seemingly fitting to the rest. No, control means completely changing progressions, sudden but calculated change of beats, removing any instrument for the shortest time and putting it back with razor-sharp studio detail.
I know a few of these are already addressable, you can take the output, separate into channels (if it's simple enough), quantize, edit and have a good one. Yet, you're not really supported anymore. What should have been was these other core music production software to get cheaper and/or far more effective.
Suno and Udio is a top-down approach. Maybe one day Logic Pro, Ableton, Melodyne etc. will fill in the details up to this point, coming from the ground up with AI, I don't know. We're not there yet and it just brings down the mask of mainstream music industry with its all-repeating shallow beats marketed to hell. Hearing mainstream was awful but it suddenly got even more awful.
But maybe I'm over-thinking it. Musicians have told stories of giving up everything for their music over and over again. It can be one of those tortured loves.
People simply want to enjoy good music other people put their time in to create it, and I think that is a good thing.
"If we surrender the thing that separates us from machines, we will be replaced by machines. The more advanced machines will be, the more human we will have to become."
(I found out this quote by pure sheer of luck while doing some stuff with ConTeXt - it happens it's included in its sample texts)
You are basically sharing fused search results.
> "It’s not really enjoyable to make music now […] It takes a lot of time, it takes a lot of practice, you need to get really good at an instrument or really good at a piece of production software. I think the majority of people don’t enjoy the majority of the time they spend making music."
I'm also a musician myself (see e.g. http://rochus-keller.ch/?p=1317) and I have many friends who are (professional) musicians. Learning an instrument is a lot of work and sometimes indeed tedous, but I think every (true) musician can confirm that nothing compares to the joy when the band "clicks" and the musicians toghether experience the moment when great music arises. The only reason that (professional) musicians occasionally lose the joy of making music is their existential dependence on their profession and the pressure to get a decent income with the mostly low-payed gigs (if any at all). But that has nothing to do with the music itself.
Tools like Suno are more suitable for and more likely to please people who have not learned the craft of music, and ultimately tend to lead to musicians having even more existential stress and thus losing the joy of music even more quickly. But we can't stop progress.
PS: I'm surprised that and I don't understand why the post was flagged; it is definitely a topic that's interesting for "hackers", and as engineers and technology enthusiasts, we should not close our minds to the implications of our work.
He clearly picked up a six-string one day, strummed it a few times, failed at a G chord and said his fingers hurt.
- Mikey Shulman, the CEO and founder of the AI music generator company Suno AI
Further reading:
UMG Recordings, Inc. v. Suno, Inc.
https://ia600409.us.archive.org/11/items/gov.uscourts.mad.27...
Music creation (like many things) is an intensely personal process. The feeling of accomplishment COMES from the blood, sweat, and tears that you put into crafting a new piece. It does not come from the ability to type "4-voice hurdy-gurdy fugue in d-minor (vocal accompaniment by Grandmaster Flash)" into a textbox and sip your latte while an AI cranks out song after song on an assembly line.
In my experience making music, specially the more experimental kind, is therapeutic for the musician.
Hot take: he's not wrong, but his phrasing is weird.
His quote was not about "musicians" but people with no musical background - he's not even assuming the hypothetical person can even play an instrument. And yeah, for a person with no musical background or knowledge, making a song from scratch would be pretty miserable.
As a counterpoint though, the kinds of people who do want to make music generally have self-selected themselves into a group who have some abilities to do so.
Counter-counterpoint: I literally just had a conversation with a friend (and amateur musician, mind you) and he said he just wished for a Metalcore version of a classic Christmas playlist. He's not going to go through all of the effort of making that by himself, just for himself to enjoy.
Music is becoming extremely personalized, and even the concept of a band is dying. So this very well could be the future of music.
Replacing self expression with an LLM is just hollowing yourself out, it’ll be evident to you and everyone else when you’re not behind a screen.
The latest wave of capitalism is that they have successfully invaded our personal relationships and replaced and monetized them. Let’s not do that to music too.
But I don't think he's wrong necessarily. A friend of mine always said, "The artist of the future will only have to point." I imagine things will continue to progress towards that until we arrive there, wherever that is or whatever it flips into.
In other words, I don't know where it's going, but it's definitely going there.
Cultivating interest in something you're not interested in is hard. Especially when you care more about N other things already. People who use services like these to produce "slop" wouldn't have produced any songs in the first place otherwise, and I feel a lot of them couldn't force themselves to if they tried. At one level, if the creator is personally satisfied with the output then the bar has been cleared, regardless of what others say. And it's hard to judge someone for choosing programming over music but wishing they could dabble in the other with some level of efficiency. At some point, if you put the bar low enough some people are going to be intrigued, push button and receive song, as nothing will stop them from doing so anymore. That's the point of the bar being lowered.
However, I think the calculus changes when those people start to give themselves the air of human artists and upload their songs to streaming. This I believe deserves critical observation since in my opinion art is more than being a human pumping out songs like a factory and watching numbers go up. It's a form of elaborate communication between parties and peer communication is fundamental to our species. So when machines speak for people, a lot of social assumptions that have existed for centuries are overturned. Anyone could have been a human factory pumping out songs detached from the artistic process of reflection the past few decades, but spending hours instead of seconds producing things in such a vacuum is pretty soul-draining, so it was a disincentive for people wanting to do so.
I believe the two types of creative output (handmade and AI) have different "qualities" to them. I do not think either can be equated in terms of this "quality". One is deliberately produced and one is randomly stumbled upon. I think we need a new term for the AI era that encapsulates this "quality" of intention in creative output, without the negative implications of a word like "slop".
Seriously, fuck this guy. Making music is one of the greatest joys humanity has.
Related
Record Labels Sue Two Startups for Training AI Models on Their Songs
Major record labels sue AI startups Suno AI and Uncharted Labs Inc. for using copyrighted music to train AI models. Lawsuits seek damages up to $150,000 per infringed work, reflecting music industry's protection of intellectual property.
RIAA of Six Years Ago Debunks RIAA of Today's AI Lawsuit Claims
The RIAA is suing AI music services Suno and Udio for alleged copyright infringement, sparking debate over fair use and implications for the AI industry and copyright law. Critics question the RIAA's motives.
YouTube in talks with record labels over AI music deal
YouTube is in talks with major record labels to license AI tools replicating artists' music. Some artists are wary of devaluation concerns. Negotiations aim to involve select artists for AI music generation.
Studio Ghibli composer sees AI-generated music as just imitations
Joe Hisaishi, the Studio Ghibli composer, doubts generative AI's music capabilities, stating it only imitates existing works and emphasizing that true innovation comes from human creativity, not artificial means.
I Am Tired of AI
The author criticizes the overuse of AI in software testing, emphasizing the need for human expertise, raising concerns about AI-generated content quality, and advocating for a cautious approach to AI applications.