June 25th, 2024

Stalin, Eisenstein, Walt Disney and Ivan the Terrible (1992)

Stalin disapproved Eisenstein's Ivan the Terrible film due to its portrayal of a tyrant, facing suppression until after Stalin's death. Eisenstein admired Disney's animation despite ideological differences, highlighting artistic challenges under Soviet censorship.

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Stalin, Eisenstein, Walt Disney and Ivan the Terrible (1992)

The article discusses the relationship between Stalin, Walt Disney, Eisenstein, and Ivan the Terrible in the context of filmmaking. Eisenstein's ambitious project on Ivan the Terrible faced Stalin's disapproval due to its depiction of a tyrannical ruler, leading to its suppression until after Stalin's death. Eisenstein's admiration for Disney's animation techniques is highlighted, with parallels drawn between their styles in the imagery of Ivan the Terrible. Despite ideological differences, Eisenstein praised Disney for his ability to bring joy to audiences and his innovative animation methods. The article also delves into Stalin's control over Soviet cinema, with key figures like Andrey Zhdanov enforcing strict guidelines on artistic content. The Party leadership's scrutiny of films like Ivan the Terrible Part II reflects the intense censorship and pressure faced by filmmakers in the Soviet Union. The article sheds light on the complex dynamics between art, politics, and censorship during this period, emphasizing the challenges faced by filmmakers striving for creative expression under authoritarian regimes.

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Link Icon 12 comments
By @Eisenstein - 4 months
It shouldn't be too surprising that Eisenstein admired Disney's work.

For those that haven't seen it, I highly recommend watching Eisenstein's 'Strike'. An overlooked masterpiece which was the birth of the montage.

Here is a link (it is public domain):

* https://youtu.be/Yw6aMqBjGKQ?si=HRXpOYZZleeSkV4C

By @topherjaynes - 4 months
Oh wow this threw me back to film school. There is a great book by Ester Leslie called Hollywood Flatlands: Animation, Critical Theory and the Avant-Garde that walks through the overlap in animation and the avant-garde movement. It's very in-depth read if you liked this article
By @azangru - 4 months
A caption to a figure in the article reads "Georgi Molotov ... 'the great survivor', was one of Stalin's key enforcers for decades". Wasn't Molotov's name Vyacheslav? [0]

[0] - https://en.wikipedia.org/wiki/Vyacheslav_Molotov

By @vgel - 4 months
Reading the transcript of Stalin, Molotov, etc's conversation with Eisenstein was really interesting. Even if you disagree with their analysis and what they're doing, it's clear they know the period very well--it's hard to imagine modern politicians speaking on history like that.
By @The_Colonel - 4 months
It's an interesting facet of Stalin's personality that he was a big movie nerd. Many of his "parties" ended with binge-watching movies with other high level party members (who were pretty much forced to be there).
By @throw4847285 - 4 months
"Great artist admired other great artist." Not really breaking news. I think the work of Disney and his team of animators has long been recognized as brilliant. There's no need for the chip on the shoulder.

The idea of Eisenstein as a live action animator is very cool though. I've only seen Battleship Potemkin, but even from that I see what the writer of this piece means. It took an admirer of animation to think that creatively about editing, and to make the move from realism to something more/less.

Fun fact: my grandfather was a dyed in the wool commie, and he saw Battleship Potemkin probably 1,000 times. My grandmother could not understand how he could watch it over and over again, but even after one viewing, I get it. It's thrilling.

By @placebo - 4 months
"Eisenstein asked whether there were some more instructions regarding the film.

Stalin. I am not giving you instructions but expressing the viewer's opinion."

Yeah, right...